Specifications Materialplastic cement, electronicsDimensions6X3X9"(15.24X7.62X22.86cm)Shipping Weight0.34 kg Features275M ,static impulse,automatic turn into static stimulus after 3 seconds vibration,the whistle can be adustable, LED light

In the 1950s, Columbia Records was widely regarded as the most prestigious record label in America, as well as one of the most conservative, and they were relatively late to enter the rock & roll game. However, thankfully the label's Nashville branch wasn't nearly as cautious about such things as the home office in New York, and their subsidiary labels OKeh and Date were more than willing to pick up the slack, and as a result this compilation offers a lot more frantic early rockin' than some folks might expect. Ronnie Self kicks off the set with his classic "Ain't I'm a Dog," and his three tracks are the highlights here, though the Collins Kids run a close second with four outstanding tunes, including "I'm in My Teens" and the lascivious "Whistle Bait." While Carl Perkins' Columbia sides have never received the same acclaim as his early records for Sun, "Pink Pedal Pushers" and "Where the Rio de Rosa Flows" shows he was still picking up a storm and making with the rhythm, while Billy Brown's "Did We Have a Party" is a reverb-drenched one-off wonder. And a number of Columbia's top country acts cut great rockers in the 1950s, and Lefty Frizzell's "You're Humbuggin' Me," Marty Robbins' "Pretty Mama," and Rose Maddox's "Wild Wild Young Men" are all top-shelf stuff, with the Maddox Brothers closing out the package with the hilarious parody/tribute "The Death of Rock and Roll" (as well as the gotta-hear-it-to-believe-it "Ugly and Slouchy"). Bear Family have included well-written and informative liner notes on all the artists, and the remastering is strong throughout; this is one of the better installments in this consistently fine series, and anyone who digs classic rockabilly and early rock & roll will finds lots to like here.

Television has given us heroes of all shapes, sizes, genders, and species. But for my money, if I'm lost in the wilderness, cornered by a cougar, or at the bottom of a well, I'm whistling for Lassie. For most of its 19-year run, Lassie was the quintessential boy-and-his-dog series. The courageous collie personified all the canine virtues of friendship and loyalty and became the poster dog for generations of children who formed inseparable bonds with their own dogs (even if these animals didn't possess Lassie's uncanny understanding of the English language). This three-disc set contains 24 episodes spanning Lassie's TV run from 1954-74, with an emphasis on the Jeff (Tommy Rettig) and Timmy (Jon Provost) years. The pilot episode, "The Inheritance," features Pal, who starred in MGM's Lassie movies. "Transition" marks the change of ownership from the Miller family to the Martins. The highlight of the set is the three-part "The Odyssey," in which Lassie is accidentally locked in a produce truck that strands her hundreds of miles from home. Over the course of this set, Lassie fends off lions, tigers, and cougars and rescues lost boys, but she is much more than an action hero. She gives Emmy-worthy performances in the tear-jerking episodes "Lassie's Pups" and "The Journey" -- the latter a three-hankie classic in which Jeff offers to give up an eye for Lassie, who is going blind. The rarity of this collection is the never-syndicated community service episode, "Peace Patrol," featuring a cameo by Clayton Moore as the Lone Ranger. This is must-own nostalgia for baby boomers. Older kids may balk at the black-and-white images and find the 1950s "gosh-gee" school of acting corny, but un-jaded younger kids will welcome Lassie into their homes and hearts. With such fetching bonus features as a hilarious Bob Hope-hosted This Is Your Life spoof and the recent Matrix-inspired G.E. commercial that finds Lassie demonstrating some formidable kung fu, this collection earns Best in Show honors.

First published in 1964, this book, now available in a durable board-book edition, tells of a young boy who longs to whistle for his dog.

Pet Supply Imports Dog Training Whistle 5.5"

This fetching collection of short films based on familiar picture books offers up silly dogs, heroic dogs, and mischievous dogs for canine-crazed kids. First, John Lithgow narrates Jules Feiffer's "Bark, George," a hilarious tale that is a little hard to swallow, as a veterenarian discovers the reason why George the dog can only say "meow," "quack," "oink", and "moo." Lisa Desimini's "Dot the Fire Dog" follows Dalmatian Dot and a firefighting crew to a burning building to observe everyone's job in the case of a fire emergency. Gene Zion's "No Roses for Harry!" is a comical story of a dog who is mortified by his new rose-pattern sweater and determined to lose it. Each exemplary short film is faithful to the text and artwork of the source material. Book lovers as well as dog lovers will appreciate this DVD, which also offers "Whistle for Willie" by Ezra Jack Keats; "Angus Lost" by Marjorie Flack; and a live-action take on "A Boy, a Dog, and a Frog" by Mercer Mayer.

...Year of the Dog absolutely kicks with frenetic fiddling, sparkling piano, passionate vocals, invigorating pipes, flutes and whistles. This is the perfect mix of energized traditional music underlaid by grungy, driving bass, electric guitar and drums. Original band members Duncan Chisholm, Stuart and Struan Eaglesham, and Ivan Drever are joined by Wayne MacKenzie on bass and Mop Youngson on drums. On this release the group relies on a love and respect for the traditional music of Scotland and combines it with their own generation's hard-driving rock. ~ MusD, All Music Guide

With harmonica and conga drums in the mix, you know that Old Blind Dogs are not the kind of traditional Scots musicians who waste too much time worrying about authenticity. But their overall sound is one that will appeal greatly to fans of the Battlefield Band and, especially, the Tannahill Weavers, a group whose vocal approach is quite similar to that of Old Blind Dogs. This band's secret weapon is piper Rory Campbell, who composed a number of the tunes on this album and who also plays a mean low whistle. Singer and guitarist Jim Malcolm does himself proud on the rollicking "Forfar Sodger" (one of many tracks that benefit greatly from the percussion of Paul Jennings), and the group's ensemble singing is especially attractive on "To the Beggin' I Will Go," the album's lead track. The instrumentals are even better; "Roslin Castle," an ancient and melancholy air, is given a minimalist and almost spooky arrangement for fiddle, whistle, and guitar, while Campbell's "Soup of the Day" is underpinned by what sounds suspiciously like a drum loop. Excellent.

Pet Supply Imports Silent Dog Training Whistle 5.5"

The cover art for Rigor Mortis Sets In presents a grave for rock & roll with a tombstone that proclaims that it "didn't die, it just ran out of time." Ironically, the same could be said for this album: after establishing a singular voice on Smash Your Head Against the Wall and Whistle Rymes, John Entwistle's burgeoning solo career took a surprising nosedive with this misjudged collection of halfhearted covers and schlocky retro-rock originals. It's obvious from this album's tone that Entwistle wanted to make a commentary about how rock & roll had gone in the wrong direction, but doing tongue-in-cheek covers of classics was not the way to do it. In fact, the versions of songs like "Hound Dog" and "Lucille" are so lifelessly performed that it sounds like the band is merely attempting to imitate Sha Na Na instead of sending up the original tunes themselves. The biggest offender in this respect is "Mr. Bass Man," which replaces the enthusiasm of Johnny Cymbal's original version with a self-consciously campy production built on cutesy vocals guaranteed to make listeners grind their teeth. The original material on Rigor Mortis Sets In is better by comparison, but still fails to satisfy: "Roller Skate Kate" is a parody of death-dirge songs like "Teen Angel" that lacks the morbid drive of the songs it's trying to send up and "Do the Dangle" is a parody of dance-craze tunes that is too pleased with itself to attempt being genuinely witty. The best of the originals doesn't fit in with the album's theme, ironically enough: "Made in Japan" is a tight little mid-tempo pop tune featuring a witty lyric where Entwistle bemoans how few things are actually made in his home country. However, even this tune pales in comparison to the highlights of his previous solo work. Ultimately, Rigor Mortis Sets In is a professional enough affair to please Entwistle's hardcore fans, but it will mostly likely leave the casual listener cold. The 2005 reissue features four bonus tracks.]

The Company of Animals Clix Silent Dog Training Whistle is lightweight and compact making it ideal for dog training, both indoors and out. It is also possible to alter the pitch of The Company of Animals Clix Silent Dog Training Whistle by using the adju

Twitters and whistles in flight Easy to clean Natural rubber Available in three sizes